I play clubs on three continents, festivals like Parookaville and corporate events as far as Las Vegas. At your Christmas party that means: quiet over dinner, then a dance floor like a good night out.
I come from the club: 30 clubs on three continents, Parookaville 2025, my own afro house edits in the SoundCloud Top 3. I bring that sound to your Christmas party, translated for a room where forty years lie between the youngest and the oldest guest. Songs everyone knows, in versions nobody has heard like that: pop, rock, urban, house and the classics the whole room sings along to.
The evening usually has three parts. Arrival with mulled wine or an aperitif, music as backdrop. Dinner, a speech from management, maybe an award: I deliver on cue and stay out of the way otherwise. Then the party, and it can feel like a club night. You get one contact for music, timing and tech.
Based in Dortmund, 60 minutes from Düsseldorf, Cologne and Essen. Germany-wide and international.
From a team of 40 to a party with several hundred guests. The set grows with the room.
Reception, dinner, programme, party: four levels, one DJ, no break in the evening.
For clients and partners at the end of the year. First music you can talk over, later a reason to stay longer.
Sax and drums with the DJ set, like at Parookaville 2025. A moment your guests film.
If you would rather celebrate after the holidays: same flow, Christmas songs only if you want them.
Corporate event for BVB, from reception to party.
Corporate event at the Bonn site.
Corporate event in Berlin.
Corporate event for the Cologne-based company.
Corporate event at the hotel.
Date, venue, guest count and playing time into the form. Personal reply, followed by a concrete quote.
A short call: running order, speech, raffle, musical direction, no-gos and who your contact on the night is.
You get a timing plan with every cue, aligned with the venue and the tech team.
Setup and soundcheck before doors, music from the first mulled wine to the last song.
Many Christmas parties take place in a restaurant, a hotel or your own hall, often with a sound system already there. I play through the in-house tech or bring my own setup. What the venue provides and what I bring, we sort out in the briefing. Backup equipment and a fallback plan are part of every corporate event for me.
Live musicians can join on request: sax, drums or vocals. You book everything through me, one invoice, one contact.
Three things set the price: playing time including setup and soundcheck, travel, and scope, meaning whether live musicians and my own tech come along or I play through the venue's system.
Travel costs are a separate line in the quote. The quote follows your enquiry, with every item listed.
Request a date →Live at Parookaville 2025, with sax and drums on stage. At your Christmas party I play more accessibly, the energy stays.
Date, venue and guest count are enough to start.
Different format? Just switch it.